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RIFF TIFFS PLAY END OF SUMMER SHOWS; MASSACRE THE TONTONS ON THE COURTS

Aug 14th

Posted by adr in Uncategorized

9 comments

Summer lovin’, it happens so fast. Summer lovin’, we wish it would last. But alas, the calendar waits for no one, so even though the cool crisp refreshment of fall is still many many Mad Men (vote for Ty, btw) episodes away, school is starting back up again soon. In the next few weeks, just as many tears as people will spread, and the Houston diaspora will fan out across the states to resume their KNOWLEDGE QUESTS. Godspeed young seminarians. Among those leaving is the fine folks of the Riff Tiffs, who are otherwise in our dog house for making it so difficult for us to get our hands on their new EP.

Starting tonight, the city is in store for two final SUMMER 08 4 LYFE evenings of their glistening chandelier of sound, starting with a slot at the weekly Free Press Recession Thursdays event at Numbers. They’ll be sharing the stage this fine evening with a cadre of contemporaries including The Eastern Sea, Earnie Banks, Electric Attitude, Old Coyote, ALARMA! and Lazy Horse. Always looking to improve the event, we’ve caught word that there will be a new PA in the house tonight, so expect less of the sound issues you may have encountered in the past. Party. If you’re not the out on the weeknight type, The Riff Tiffs will also be playing a warehouse party show Friday at 2220 Commerce with the Wild Moccasins and (once again) the Eastern Sea. Double Party.

In other Riff Tiffs news, they and the already done for the summer folks in The Tontons recently encountered one another on a distinctly urban field of battle – the basketball court. No doubt inspired by the then upcoming Olympic Games, it was, as Tom Tonton recounted to us, a clear victory for the athletes from Shoegazistan over those from Summerbluesagonia by a score of 30-21. Let’s take a gander at some pictures


ACTION! SHOTS!


ACTION AFTER THE SHOT!


STUFFED ACTION SHOT?!

Tom tells us that he’s looking to maybe setup a full on indiemural tournament, and why not – it’s not just the rap game here that is full of ballers. If memory serves, even By The End of Tonight has been spotten in press photos in full full-court regalia. If you’re interested in getting your double dribble on, head on over to the Tontons MySpace and drop Tom a line. WHISTLE!

Alarma, Eastern Sea, Lazy Horse, Riff Tiffs, The Tontons, Wild Moccasins

BREAK OUT THE BEN-GAY: TONIGHT IS THE OLD FARTS EARLY SHOW!

Aug 13th

Posted by adr in Uncategorized

2 comments

Highlights of being an American: the most powerful and wealthy generation in the history of mankind is retiring and entering the golden years. And they need to buy stuff. It used to be that youth was king and all that, but let’s face it: AARP is going to make more money in the next few decades than Hannah Montana could ever dream of. Party. But you don’t need to be close to cashing-out the 401(k) to start to feel the pull of old age stronger than the push of youth – all you really need is a 9 to 5er and an uncontrollable urge to still go see shows even if they fall during the week.

That’s why (in part as much as in party) The Skyline Network and ben murphy put together tonight’s Old Farts Early Show – to make possible both our love of good music even during the week and our love of not feeling like an Olympic shuttlecock the next morning.  Consider it Head On (APPLY DIRECTLY TO FOREHEAD) for the earst. You love our product, here is our commercial:

Doors for the show are at 7pm, with the whole thing over by 10pm. All ages. That’s plenty of time to rush home and watch the Olympics, or rush on down to Richmond to catch the show at the i.am.we.comUNITY house featuring Buckeye and By Tomorrow. Or just saunter down to the mink and have a few classy cool ones before proceeding to massacre your hunger and mad-money budget at Tacos a Go Go and Sig’s Lagoon respectively.

Something Fierce, The Mathletes

TSN ON THE RADIO! TONIGHT! 8PM!

Aug 12th

Posted by adr in Uncategorized

No comments

It should go without saying that every Tuesday 8-10pm you should have your hi-fi dialed and locked into 91.7fm for The Local Show on KTRU (or you can stream it online here). This week is no exception, as we are pleased as Guyana Punch to be able to announce that The Skyline Network’s own adr will be guest hosting for the first hour. While he’s wearing cans on his ears and sitting behind the gold plated KTRU microphone, no doubt committing a number of gaffes proportionate to his unfamiliarity with the equipment, Ian, the mastermind and weekly host behind it all will be prepping the studio for a live performance by none other than The McKenzies. Strange brew indeed.

Though KTRU bylaws strictly prohibit any of his personality from shining through, he’s packing up his crate of records now and we can say definitively that you are in for a treat, including OH SO HOT sneak peek tracks from The Wild Moccasins, The Monocles, Tod the Fox and more! Plus, new stuff from all the aces records to come out in the past few months and weeks (including quite possibly the out-today new Jenny Westbury record – sure to cause sizzling no-he-did-unt gossip as adr seems incapable of uttering the words “Jenny Westbury” without following them with “will you marry me.” Now THAT is some news on the march!  Sadly, you won’t get to hear any POWERHOUSE!, a band in adr’s current (and pepetual) top 5 local acts due to their affinity for bad words and the FCC’s distaste for the same.  UNFUN!

UPDATE: Turns out one of our fav POWERHOUSE! songs doesn’t have any bad words so adr ended his set with it.  Brilliant.

Jenny Westbury, News on the March, POWERHOUSE!, The McKenzies, The Monocles, The Wild Moccasins, Tod the Fox

REVIEW: THE MATHLETES – WE’RE THE MATHLETES AND WE’RE FROM HOUSTON SO HOW ABOUT THAT (Vol. 1)

Aug 12th

Posted by adr in Music

No comments

(YUSS – TWO FOR TUESDAY REVIEWS!) Sometimes we are concerned that people misinterpret our affinity for the cover song. It’s true, whenever we are able to point one out (or organize a ten band festival where people play nothing but them) we seem to take the opportunity to do so. It’s not because we don’t value or enjoy the hell out of the original compositions folks come up with around town, it’s more like the insight it gives us. Surely the most potentially boring but crucial and frequently riveting part to any story is the tale of how a particular character or person got to be the way they are. What influenced them before they came into a position to influence others. This is part of why we enjoy the cover, the insight it gives us into how a band got the sound, the swagger and the strut (or lack thereof) they ended up with. But its not just that. We enjoy, in a particularly well done rendition, the respect and the reverence an interpreting act shows for the source material. How they take the composition and explore it separate from any kitsch of a cultural context and re-interpret it as something of its own merit (and not just something to earn a buck or get a laugh). The Mathletes once wondered aloud in a public forum (about themselves) “how many songs by other people can a band play before being considered a cover band” – and truth be told their shows contain a liberal sprinkling of re-interpretations of the works of others (to say nothing of last year’s “Own Other People’s Songs”, a compilation of many of their cover recordings over the years). But none of their signed, sealed, delivered renditions of the works of others are as dear to us as the tracks on We’re The Mathletes and We’re From Houston so How About That.

The four stunnahs on this extremely limited (ie – Sound Exchange counter-rack only) release are fresh takes on Houston’s finest: Jana Hunter, Young Mammals, Hearts of Animals and Bring Back the Guns. Each has the trademark quirky take on the classic, (and we bet that if you google The Mathletes, quirky is the top adjective used to describe them) and an injection of themselves into the pen and paper with massive amounts of deconstruction and plenty of genuine respect for the originals.  Indeed, given that an almost open cast of characters have played in the band over the past few years, it should already be obvious that the group has tremendous respect for the music and the musicians around them (members of both Hearts of Animals and Young Mammals have performed with them).  It’s hard to pick a favorite here, but at the moment we’re leaning towards their take on HOA’s “Underwater Staggie” with it’s massive droning shoegaze startup eventually giving way to clip a clap country sounds. It’s so rich. So very Richie Rich. Get you some.

PS – BRING BACK THE GUNS TRACK IS A PRE-TRUE AUDIO RINGTONE. GTFO!

As we mentioned an hour or so ago in the review of their other recent record, they are playing for free tomorrow (Wednesday) at The Mink for free with Something Fierce – early show doors at seven. COSTUME PARTY!

Bring Back the Guns, Hearts of Animals, Jana Hunter, The Mathletes, Young Mammals

REVIEW: THE MATHLETES – #$@% YOU AND YOUR COOL

Aug 12th

Posted by adr in Music

1 comment

There is a moment, a point in your time-line, where self-objectivity and the theory of cool split and you’re forced to make a choice about it.  Usually, this has something to do with the Odyssey of the Mind.  The further back in your personal narrative you go, the harder it is to have any real objectivity about yourself and who you are and what you do.  You are the best at something, and if you aren’t it is because you don’t really want to be.  Other boys might capture more flags, but you are more interested in the stealth and counter-insurgency aspect of the game.  Therefore, you are a better/cooler player.  The pickets and the strikers, they may have failed, but you did your job – you are the best.  The rose smell of your own shit goes back, generally, as early as your memories. Yours was the best matchbox car.  Your ability to draw Garfield was tops.  Or even if it wasn’t the best, atleast it was cool.  Because a lack of self-objectivity is tied quite directly to a lack of self-consciousness.  Not that you couldn’t think on your own, but let’s face it – the home made jams and matching shirt that your mom made might not have actually been the jam, but you rocked them, sailboat print and all, until that same loving mother designated them far too threadbare for the family’s reputation.  To you they were cool.  They were the jam.  Then the actual theory of cool takes over, and, unfortunately, right around that same epoch in the dragging days and months of young life (not Young Life), it’s time to decide if you want to be involved in Odyssey of the Mind.

More than anything, more than even the Boy Scouts, which are a natural ourdoorsman out-growth of the myrthy glee of Webelos and all that comes before, OM represents a crucial moment in youth where the largely undeveloped capacity for duality is easy prey for what must be an absolute decision between the fun of building a bridge out of popsicle sticks and the yearning to be cool.  How unfortunate.  If you choose the former, so terrible is your hell – and for atleast a decade – that no amount of consolation from the yearbook advisor that she wishes she would have been smart enough to like boys like you when she was in middle school can make up for the fact that you are going to be beaten up alot in gym class for being stoked about developing and re-enacting an imaginary 13th labor of Hercules. 

The other half takes a different path.  One, ironically, that you may have a even better understanding of due to your geeky desire to talke the course in college titled “The History of Cool – Miles Davis to Jay Z.”  And you find, about this time, that you’re cool afterall – that all that time in the wilderness away from the in-group and the need for a broadly and media-defined indentity has made your an outsider, a person apart – and except when they are feared, it turns out that noting is cooler than the other.  Your geekieness, the insecuriteis you were secure with, they provide a truck-month chassis from which to draw art that is unique and self relient; one that draws harder from the self than the polish.  We bet The Mathletes were really really good at OM.

On #$@% You and Your Cool, which may be Asaurus Records’ last release but seems unlikely to be close to the nightcap for the band itself, Joe Mathlete and company strut their outsider stuff in song after song that appeals to the Comicon pop-life in all of us.  Things get kicked off with “Hornless Unicorn Anthem”, a big rawkus silly bopper full of Elvis Costello-at-his-prime organs, Jolt Cola beats and words about as serious as the BBS your lab partner in Biology II kept asking you to dial into.  From there is runs a shimmering 20-sided die gauntlet, from the world-ending drum cascades of “ASTEROID!” (recorded live on KTRU, no less) to the earnestly apologetic “Clumsy Little Symphonies.”  It’s the duality here that the Mathletes finally confront, all these years since they may have asked themselves how best to built a weight supporting structure out of balsa wood and glue.  Are they clumsy because of the lo-fi recording, or because the words they convey aren’t as polished, as slick, as double-breasted with a perfectly folded handkerchief as they could be?  Are they both?  To us, that unknown, or rather that combination of the two, wrapped in catchy pop that balances cotton candy with Taco Bell is what makes The Mathletes not just enjoyable or enduring… but just flat-out cool.  Recommended. 

The Matletes are playing the Skyline Network and BDM curated OLD FARTS EARLY SHOW tomorrow night (Wednesday) at the Mink.  Doors at seven, no cover, all ages.  Party.

The Mathletes
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      10/06/11

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    Space-crazed Montrose kid, who moved to Oak Forrest and likes to play in the Heights. Secretly dreams of a life Downtown.
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